هو المصطلح الذي يشير إلى جميع أشكال التكنولوجيا المشاركة في الفنون الموسيقية ، وبخاصة استخدام الأجهزة الالكترونية و برامج الحاسوب لتسهيل القراءة ، وتسجيل ، وتكوينها ، والتخزين والأداء. يتمتدريس هذا الموضوع في عدة مستويات تعليمية مختلفة ، بما في ذلك رياض الأطفال من خلال الكليات والجامعات. وعلاوة على ذلك ، والموسيقى التكنولوجيا يشمل الجوانب الفنية والعلمية للموسيقى ، مثلعلم النفس علم البرمجة الصوتية والموسيقى ، / علم الاجتماع والممارسات الموسيقى التجارية والصناعية. بدءا من الرواد الأوائل مثل لويجي روسولو ، بيار هنري ، ادغار فاريزي وغيرهم ويرتبط ارتباطا وثيقا بمفهوم تكنولوجيا الموسيقى على حد سواء للإبداع الفني والتكنولوجي. الناس تسعى باستمرار لابتكار أشكال جديدة للتعبير من خلال الموسيقى ، وخلق جسديا الأجهزة الجديدة لتمكينها من القيام بذلك. وبسبب هذا ، وتعريف ما لدينا من تكنولوجيا الموسيقى يشمل يوسع باستمرار. وعلى الرغم من الآن إلا أن المصطلح الأكثر شيوعا في إشارة إلى الأجهزة الإلكترونية الحديثة مثل البيانو ، الغيتار , انتشرت في وقت مبكر جدا.
محطة عمل صوتيات رقمية هوا نظام يسمح للمستخدم لتسجيل الأصوات الموسيقية الصوتية ومعالجتها باستخدام العديد من التأثيرات الصوتية.
Music technology
Music technology encompasses all forms of technology involved with the musical arts, particularly the use of electronic devices and computer software to facilitate playback, recording, composition, storage, analysis, and performance. This subject is taught at many different educational levels, including K-12 through college and university. As an academic discipline at university level, Music Technology (meaning music produced using software or electronic hardware) first emerged in the middle of the 1980s, most notably at the University of York, where the Departments of Music and Electronicsset up a joint Masters programme in Music Technology in 1986. Furthermore, music technology encompasses the technical and scientific aspects of music such as acoustic science, programming, music psychology/sociology and music industry business practices. Starting with such early pioneers asLuigi Russolo, Pierre Schaeffer, Pierre Henry, Edgard Varèse, Karlheinz Stockhausen and others, music technology has been and is being used in manymodernist and contemporary experimental music situations to create new sound possibilities. Contemporary classical music sometimes uses computer-generated sounds, either pre-recorded or generated/manipulated live, in conjunction or juxtaposition with classical acoustic instruments like the cello or violin
The concept of music technology is intimately connected to both artistic and technological creativity. People are constantly striving to devise new forms of expression through music, and physically creating new devices to enable them to do so. Because of this, our definition of what music technology encompasses continually expands. Although the term is now most commonly used in reference to modern electronic devices such as a monome, the pianoand guitar may also be said to be early examples of music technology. In the computer age however, the ontological range of music technology has greatly increased, and it may now be mechanical, electronic, software-based or indeed even purely conceptual
Sequencer software programs, such as Pro Tools, Logic Audio and many others, are perhaps the most widely used form of contemporary music technology. Such programs allow the user to record acoustic sounds or MIDI musical sequences, which may then be organized along a time line. Musical segments can be copied and duplicated ad infinitum, as well as edited and processed using a multitude of audio effects
Many musicians and artists use 'patcher' type programmes, such as Pd, Bidule, Max/MSP and Audiomulch as well as (or instead of) digital audio workstations or sequencers and there are still a significant number of people using more "traditional" software only approaches such as CSound or theComposers Desktop Project
Music technology includes many forms of music reproduction. Music and sound technology refer to the use of sound engineering in both a commercial or leisurely/experimental manner. Music technology and sound technology may sometimes be classed as the same thing, but they actually refer to different fields of work, the names of which are to some extent self-explanatory, but where sound engineering may refer primarily to the use of sound technology for media-logical purposes
Peace to everyone here
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رد مع اقتباس
thanx
