هنا

[ღالبرنسيسةღ]

Act I


Summary

Scene One

The play opens in its primary setting, a chamber in the "old-fashioned" country house of Mr. Hardcastle.
Mr. and Mrs. Hardcastle enter in the midst of a pleasant argument. Mrs. Hardcastle is perturbed at her husband's refusal to take trips into London, while he insists he is not interested in the "vanity and affectation" of the city. He tires even of the pretentious London trends that find their way into his removed country community. Mrs. Hardcastle mocks him for his love of old-fashioned trends, so much that he keeps his house in such a way that it "looks for all the world like an inn."
They joke about her age, which she wishes to downplay, and speak of her son from a first marriage, Tony Lumpkin. Mr. Hardcastle finds his roguish ways grating, and laments how the boy is too given to practical jokes. On the other hand, Mrs. Hardcastle (Tony's natural mother) defends him, saying education is unnecessary for him since he needs only plan for spending his sizable fortune, and she begs her husband to be easier on Tony. They both grant that he is too inclined towards drink and jokes, but Mrs. Hardcastle believes him frail and needing of sympathy.
Tony passes by and tells them he is off to the Three Pigeons, a local pub. Both adults request him not associate with such "low" company, but he defends the liveliness of his pub companions as "not so low." Mrs. Hardcastle forbids him to go, but he insists he has the stronger willpower, and drags her out.
Alone, Mr. Hardcastle describes them as "a pair that only spoil each other." He blames it partially on how the modern fashions have infiltrated their lives, and worries that even his own daughter Kate has been infected by those fashions because of her having lived for a few years in London.
Kate (labeled in the play as Miss Hardcastle, but called Kate here for ease) enters dressed in a lavish gown, which her father finds troublesome. Kate reminds him that they have an agreement: in the morning she dresses as she likes in order to welcome friends, while in the evening she dresses plainly in order to please his tastes.
Mr. Hardcastle then gives her news: he has invited Mr. Marlow, son of Hardcastle's old friend Charles Marlow, to their house that evening in order to court Kate. Hardcastle has chosen Marlow as husband for her, but she is immediately worried that their interview will be overly formal and dull. Mr. Hardcastle considers this a virtue, and in fact insists to her that Marlow is, while generous, brave, and handsome, best known for being reserved.
He leaves to prepare the servants, and Kate laments that she might have to spend her life with a boring man. She begins to wonder whether she might be able to find a way to be happy even in such a marriage or whether she can change him, but stops herself from thinking too far ahead.
Constance Neville (called Miss Neville in the play but Constance here for ease) enters and Kate tells her the news of Marlow. Constance is a cousin of Kate, a niece of Mr. Hardcastle who has been orphaned and now lives with the Hardcastles under the protectorship of Mrs. Hardcastle. Constance reveals that she knows Marlow's reputation, since Marlow is friends with Mr. Hastings, her admirer and the man she hopes to marry. Constance tells how Marlow is known for excessive formality amongst women of reputation and virtue, but that he is a "very different character" amongst common women. Kate finds this description strange, and they then discuss how Mrs. Hardcastle disparately wants Constance to marry her son Tony, in hopes of keeping Constance's small fortune (which consists of some jewels that were bequeathed to her) in the family. Constance quite hates Tony but does not want to reveal to Mrs. Hardcastle that she is in love with Mr. Hastings, and so is in a tricky spot. Her only small comfort is that Tony hates her equally.
Scene Two

Note that the scene is not explicitly labeled "Scene Two" but instead is marked by the setting change.
The setting changes to the room in the Three Pigeons, where Tony fraternizes with several other drunk men.
They all urge Tony to sing a song, and he sings of how liquor provides the best learning, while traditional school wisdom can be ignorance. The song also touches on the hypocrisy of men of manners, who like liquor as much as anyone. The song is a great hit amongst the drunkards, who speak amongst themselves of how wonderful it is to hear songs that are not "low." They also reminisce to themselves about Tony's father, who was "the finest gentleman" in the way he celebrated life.
The landlord brings news that two gentleman have arrived, and are lost on their way to Mr. Hardcastle's house. Tony intuits quickly they must be Marlow and Hastings, and since Tony is still angry about Hardcastle's insults, decides he will play a joke on his step-father. He will convince them that Hardcastle's house is in fact an inn and so will they present themselves there not as gracious guests, but as entitled patrons.
He has the men brought to him. Marlow and Hastings are in poor spirits from a long day of travel, Hastings more so because Marlow's reserve prevented him from asking directions. Tony gives them nonsensical directions to Hardcastle's that make the place sound many miles away (when it is in fact down the road.) Tony interrogates them, and they tell how they have heard about Hardcastle's well-bred daughter and roguish, spoiled son. Tony argues that their information is reversed, that the son (himself) is much loved and the daughter a "talkative maypole." The men ask the landlord if they can stay, but, at Tony's instructions, he tells them there is no room, and so Tony suggests they head down to a nearby inn he knows of. He then gives directions to Hardcastle's house, cautioning them that landlord there puts on airs and expects to be treated as a gentleman rather than servant. They thank him, and leave for Hardcastle's home, and so the stage is set for the comedy to come.